Haiku and Reviews: Saga, To Catch a Thief, Rear Window

A Horn and a Wing
star-crossed lovers in wartime
trying to save their child.

I don’t read comic books often, but I think it’s about time I started to, because if they are anything like Saga, I’ve been missing out big time.  Saga is written by Brian K. Vaughan and drawn by Fiona Staples, and it’s been going on for years (the title of the series is very apt) — since 2012.  I just caught up to the last issue, #42, and it is a humdinger.  Even though this story takes place in another world, in space, the kind of stuff you’d expect from comic books, it is extremely accessible and very much a story for our times.  It’s got elements of Romeo and Juliet and Star Wars, and it’s just an epic, epic story.  Great characters, exciting storylines, what we love about fiction.

She drives her car as
if the road does not exist.
All for a picnic.

A single suitcase.
Pink gown, pink slippers, for night.
Then we hear the scream.

Old movies, these two.  Both by Alfred Hitchcock, and both starring Grace Kelly.  To Catch a Thief felt a bit more dated than Rear Window; it is definitely the lesser of the two films, though still quite entertaining, especially the scene where Kelly drives Cary Grant to a picnic lunch.  Even though I’d seen parts of Rear Window before, I never actually sat down to watch the whole movie from start to finish, and I must say, I think it’s my new favorite Hitchcock (Vertigo was my previous #1).  Not only are the lines hilarious (especially Thelma Ritter’s Stella but really, all the characters), the movie is really about movies — how we all are voyeurs when we watch.  The script is impeccable, the balance between humor and suspense just right.  Also, there are times when Grace Kelly here is so incredibly beautiful that I almost had to avert my eyes!  What great casting — she had to be the perfect woman, and she delivers in form and function.  This is a very difficult part for Jimmy Stewart to play, too, as he’s stuck in that wheelchair and so much of his acting is subtle expressions.  There are so many scenes where he has no one to act against, just himself with his camera or his binoculars, reacting to what he sees.  Rear Window is just a gem of a movie.  Roger Ebert, as always, does a fantastic job of reviewing this film.  Watch it, and then read him.

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